《野花5》10

巴(bā )豆(🎢)（杜(dù(😟) )维瀚(🎣) 饰(shì )）是一名(míng )经验(🎙)丰(fēng )富的律(🚷)师，为(😑)了替自己(jǐ )的委(⛎)托人赢得无(🔆)(wú )罪(🔌)判决(jué )不择手(shǒ(🕶)u )段，甚至(zhì )不(📄)惜去(🧙)(qù )触碰法律和道(🏴)德之(🌖)间的灰(👲)色地带。虽然(rán )巴豆的(♏)(de )业绩(🕋)辉(huī )煌(🀄)，但(dàn )在(zài )业内，他的口(🔨)碑其(🌭)实十分(🍒)糟糕。巴豆有一个困扰(🎭)他许(🥩)(xǔ )久的毛(máo )病，那(nà )就(jiù )是一(🌼)到(dà(👗)o )晚上十(shí )二点，无论在(🆎)干什么(👶)，他都(🕯)会陷入昏睡(shuì )之中。

隔(🦕)壁住(zhù )的(de )三(🥅)个半(🏝)(bàn )熟女似(sì )乎偷(🧞)偷的在各自(🌬)房间(➡)做(zuò )着不可告人(🐮)的囧(jiǒng )事，而(👘)(ér )这(🔺)些是(shì )石(shí )头没(😤)日(rì(⛏) )没夜偷(🏯)(tōu )窥得出的结论。深知(🦐)一人(🥖)技薄的(🖕)石头为(wéi )了满足(zú )好(🥘)奇，挖(🏧)掘更(gè(🛬)ng )多(duō )半熟女(nǚ )们的私(🦀)生活(🕣)，拉拢室友钱芳和柳木加入，三(💗)个(gè(🌥) )冲动期(qī )的屌丝(sī )男(🌟)(nán )面对(👛)隔(gé(🏘) )壁的长(zhǎng )腿姐姐、知(💻)性御姐和甜(🍺)美萝(🏗)莉，引发出(chū )了一(🖲)连(lián )串让人(🔘)(rén )脸(🗑)(liǎn )红的尴(gān )尬囧(🆑)事(shì )。

千百年(🙉)来，地(🔂)球上一(yī )直住着(⛏)一种(👙)外星(xī(💸)ng )生物，名叫喵(miāo )星(xīng )人(🚕)。它(tā(🗾) )们从遥(⚫)(yáo )远的喵星来到地球(✋)，化身(🔞)为猫科(🙎)动物，分散在(zài )世界每(🐈)(měi )个(📛)角落(luò )。萌萌的(de )外表，加上机智(🛌)聪明(🎳)的头脑，轻易就得到人(🗽)类(lèi )的(🛏)宠爱(😴)(ài )。不愁(chóu )吃(chī )喝的它(🚥)(tā )们桀骜(à(📲)o )不驯(🐑)，活像饱经沧桑的(🕶)江湖大佬。犀(📿)犀(xī(✴) )利就是(shì )他们中(👷)(zhōng )的(de )一员，作(💭)为一(⤴)(yī )名正牌的喵星(㊗)来客(🕍)，它(tā )肩(🈷)负使命长途跋(bá )涉来(🐏)到(dà(🎃)o )地球，却(💤)(què )意外遇(yù )到了吴(wú(🕘) )守龙(🈷)（古天(🕍)乐饰演）一家，上演了(🐨)一幕(🔡)(mù )相运相(xiàng )生，喵(miāo )趣横生(shē(🈷)ng )的(de )人(⬇)猫奇(qí )遇记。

2017戛纳影展(❓)导演双(💟)周单(🏬)元闭幕片。美国导(dǎo )演(➖)吉瑞(ruì )米杰(📘)斯(sī(⛱) )伯(bó )编导作(zuò )品(💘)，丹(dān )妮尔麦(🗣)唐诺(👢)主演。故事描述一(🌝)个乡镇女(nǚ(🖊) )孩，追(🍽)(zhuī )寻饶舌(shé )美(mě(🏰)i )国梦(🍽)的(de )故事(📋)。

洛朗(Laurent)家是一个富裕的(🈯)上(shà(🎑)ng )层中产(🗣)阶级家庭(tíng )。80多岁(suì )的(🅾)老人(👓)(rén )乔(qiá(🔩)o )治·洛(luò )朗(George Laurent)逐渐(jiàn )陷(⛺)入老(❄)年痴呆。他和两个已婚的儿女(🛀)托(tuō(🏆) )马斯(Thomas)和(hé )安妮(Anne)一(yī )起(🎴)，正(zhèng )不(🖇)(bú )自(🥏)在地(dì )分享他在加莱(⚡)(Calais)富丽堂皇的(🆕)庄园(🛋)。离异而冷漠的(de )安(🍣)妮，不得不(bú(💇) )承(ché(🍄)ng )受因儿(ér )子皮埃(😤)(āi )尔(Pierre)的失职(🙇)而导(😍)致的灾难性工作(⛷)场所(🔏)事故(gù(🥖) )的影响(xiǎng )。与此(cǐ )同(tó(🏪)ng )时，托(🎲)(tuō )马斯(🥒)的(de )前妻因一场神秘的(💏)中毒(🚗)而被紧急送进医(yī )院，导(dǎo )致(📮)他13岁(🈺)(suì )的(de )郁郁寡(guǎ )欢的女(nǚ )儿艾(😫)芙(È(🗡)ve)与父亲和他的新婚妻(🔭)子安娜伊(yī(🖐) )思(Anais)生活(huó )在一起(qǐ )。毫(🌃)无(wú )疑(yí )问(〽)，在(zà(🈵)i )这个家庭中，每个(🤛)人都有不可(🐪)告人(🌿)的秘密，而(ér )随着(🖥)洛(luò )朗家的(🤐)(de )命(mì(🌻)ng )运与持(chí )续而不(🔨)(bú )光(🙇)彩的欲(🤨)望交织在一起，一种特(🚭)殊而(🔏)又(yòu )令(🏀)人不(bú )安的联(lián )盟(mé(🏧)ng )就会(🆎)形(xíng )成。但(dàn )最终，有些更大的(⛲)秘密(🗑)即将揭晓……

Set in contemporary New York City, Cacaya is the story of a young Brazilian woman, who ends her tumultuous relationship with an American man, and then discovers she is carrying his child. The couple's struggle to interact during the pregnancy, and to deal with the situation, increases the tension between them. The film interweaves this modern narrative with indigenous Amazon rainforest folklore and ancient Greek mythology of the Amazons, using the framework of German dramatist Heinrich von Kleist's 1808 tragedy Penthesilea.

When a photographer encounters the practice of Vodou cartography while on assignment he becomes enchanted with the visceral artwork and ceremony witnessed. But the experience embeds itself in his psyche and his interest in vodou becomes more than an inspiration, more than a passion, more than an addiction. Through his own artwork, he creates his own destiny, a path to demonization. A complete transformation occurs physically, mentally and artistically and results in the conjuring of entities never imagined, exploring the world between the darkness and blackness.