《野花》

BOI is a young man just starting out as a private chauffeur. Whilst anxiously awaiting his girlfriend’s decision about a certain life-changing matter, he has to accompany his first ever clients: Michael and Gordon. Two Chinese businessmen who have come to Barcelona with the aim of closing, in under 48 hours, a multi-million dollar contract with an American magnate. They’ll help each other, as they set out together on a journey to the edge, in a world in which dreams wander like an ownerless dog, pistols and prostitutes don’t do what they’re meant to do, and the questions have yet to find answers. But as long as there’s a reasonable amount of blood, then there’s nothing to worry about.

During the slavery period in Brazil, a sugar cane farm was the stage for the darkest kinds of horrors. Years later, the place's cruel past is still stained in its walls, even if unnoticed, until a series of strange events starts happening and death returns to the farm. The film is divided in five short horror stories.

Identical twin brothers become hybrid A.I (artificial intelligence) entities, yet torn in different directions to achieve justice for humanity.

SAM哥(gē )飾型(🥦)(xíng )格(gé )幹探重案組梁SIR 調查(💦)案件，可(kě )能是一(🙉)(yī )隻變種(🚙)兇(🤨)獸攻擊人類(lè(🏃)i )，他(tā )要(yà(♋)o )消(☔)滅兇獸，拯救世(🎧)界

主人公(🕡)(gō(🏂)ng )李解拿(ná )自己的传家龙(🔉)坠(⚪)向女(nǚ )友小(xiǎo )朵(duǒ )求婚，却(⏯)被倒卖古玩的安(🏾)森(sēn )盯上(🐧)。几次偷抢未果后(🙁)，安(ān )森绑(🤘)(bǎ(❔)ng )架(jià )李解女(nǚ(🌓) )友，并威胁(🍃)李(💨)解要交(jiāo )出龙(🌨)坠(zhuì )，李解(📙)智(👢)斗坏人抱得(dé )美人(rén )归(guī(🧕) )。

《驴(lǘ )为媒》故事发生在当(dā(🚭)ng )下鲁(lǔ )西(xī )大地(😯)上的聊城(🎇)市(🤴)，讲(jiǎng )述的是(shì(💖) )在京打(dǎ(🖱) )拼(🐤)多年的有志青(🎾)年，得知(zhī(💫) )老(✌)(lǎo )家惠民政策后，回乡养(🔢)驴(🤲)、带领村(cūn )民脱贫致富，实(🛋)现自(zì )己创(chuàng )业(🦅)(yè )梦，并赢(🍗)得爱情的故事;讲(🏜)述(shù )了党(🐃)的(🍿)(de )精准扶贫政策(👩)和乡村(cū(💨)n )振(🤽)兴(xìng )战(zhàn )略在(🍦)齐鲁大地(🍬)的(🏜)生动实践，展现了(le )基层党员(🌀)干部在全面(miàn )建成(chéng )小(xiǎ(❣)o )康社会(huì )进程中(🎂)的“主心骨(🌭)”形(🍱)象(xiàng )。电影《驴为(🚒)媒》坚持(chí(🥦) )“小(🗾)成(chéng )本、大(dà(👪) )情怀、正(📚)能(💝)量”的创(chuàng )作宗(zōng )旨(zhǐ )，紧(🎶)扣(🚍)当前乡村振兴和精准(zhǔn )扶(🗝)贫主(zhǔ )题，将社会效益、价(🚁)(jià )值引(yǐn )领(lǐng )放(👩)在首位，引(🚯)导(🌙)人们努力实(shí(⤵) )现个人(ré(🏕)n )前(🔽)途与国家命运(💟)、个(gè )体(🔯)经(📞)(jīng )历(lì )与时代大潮、个(🎐)体(🙍)情感与国(guó )家情感(gǎn )的同(📑)频共振，激励人(ré(🏡)n )们向(xiàng )上(💈)(shà(🐸)ng )向善，自觉践行(💌)社会主义(⛑)核(🌽)(hé )心价值(zhí )观(😦)，讴歌党、(🏍)讴(🔩)歌人(rén )民、讴(ōu )歌新时(🧟)(shí(🤖) )代。

Loosely following a traditional Passover Seder, events from the Book of Exodus are retold by Moses, Aharon, the Angel of Death, Jesus, and the director's own father. But there's another side to this story: that of the Goddess, humankind's original deity. Seder-Masochism resurrects the Great Mother in a tragic struggle against the forces of Patriarchy.