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《功夫(👌)小(xiǎo )镇(📊)》讲述了(🔀)在一个(🖥)(gè )人们(🍬)普(pǔ )遍(🕵)热爱武(🥨)(wǔ )术和(🐶)茶(chá )的(😳)特色小(🆖)镇中，开(⛅)(kā(🚨)i )茶馆(🔚)的(🏢)(de )武痴(📛)大(🆚)龙因(🌎)武(🦈)术(shù(💣) )结(🤝)缘了一(📓)(yī )位体(🌠)育老(lǎ(🕒)o )师后发(🏜)(fā )生的(🥚)一系列故事。

赤松陽(yáng )構造による「菊(jú )とギロチン -女相撲(pū )とアナキスト-」ロゴ。

影(yǐng )片故事(shì )围绕两个(gè )女生(阿(ā )莉雅·肖卡特、莱(lái )娅·科(🙍)(kē )斯塔(🦄)饰)每隔(🍢)24小时(shí(🍏) )便开始(🏾)疯狂的(📫)亲密(mì(🛁) )体验展(🙎)(zhǎn )开。

발(🕓)레리노(♍)가 되고(🎟) 싶었던(📗) 남편 VS 왈(🤴)가(🀄)닥 형(🍷)사(💪) 아내(💵) 친(⬛)구의(🐋) 소(🍓)개로 만(🎂)나 결혼(👣)까지 이(🎑)르게 된(🔕) ‘주목(🏦)’과 ‘순종’. 시간이 지나면서 서로에 대한 처음의 기대는 산산이 깨져만 가고, 그렇게 갈등은 고조된다. 이를 타개하기 위한 해결책으로 번지점프대에 오른 주목(⏱). 이제 그(👱)의 비행(🥀)이 시작(🔝)된다!@

影(🤦)片以70年(Ⓜ)(nián )代唐(🗝)山(shān )大(🍩)地震为(❌)背景，以(🌊)(yǐ )诗意(🥂)的(de )镜头(🎺)语(📋)言(yá(🦂)n )讲(🤬)述了(👘)(le )一(🙁)个动(🍳)人(🤥)凄美的(🔕)爱(ài )情(🐍)故事(shì(🦗) )：返城(🚦)小伙子(📬)王(wáng )小(xiǎo )土（李(lǐ )滨饰）爱(ài )上了美(měi )丽的小镇教师欧海(hǎi )恋（于(yú )非非饰），而这(zhè )段恋情却遭遇了欧(ōu )海恋父(fù )亲的反对，一次“偷表”事件令王(wáng )小土(🔝)身(shēn )陷(🏅)囹圄，两(🍉)个年轻(😭)(qīng )人的(🧒)爱(ài )情(🌘)也面临(🎛)着巨大(❎)(dà )的考(📷)验。2年后(🥕)，小(xiǎo )土(📜)和海(hǎ(👧)i )恋(👇)的爱(🏛)情(👀)依然(🕊)艰(🍀)难(ná(🍣)n )，然(📕)而(ér )他(🚱)们却不(🏔)知道，一(🅿)场毁灭(🔃)性的地(📇)震(zhèn )灾害将(jiāng )带来永生难忘的(de )伤(shāng )痛......

19-year-old Celeste and 26-year-old Sihem, both heroin addicts, are admitted to a rehab clinic the same day. They have a feeling they’ll be good friends. When Sihem tells Celeste that she had been pregnant but ended up having an abortion, Celeste says, “That’s not your fault.” Celeste is also comforted by Sihem when Celeste blames her mother for visiting her. However, the clinic takes to issue their intimacy and the two end up leaving the clinic to find a new home. For the two, everything is uncertain, and it is also heartbreaking to see their families suffer because of them. It is also not easy to resist the temptation of drugs.

一天(tiān )，霍夫(fū )曼穿越到了自己笔(bǐ )下的奇(qí )幻童话世界里。为了躲避步步逼近(jìn )的阴谋(móu )，他不得不与虚构(gòu )的(🐐)坏人(ré(😐)n )斗争，守(🐹)(shǒu )护自(🥀)己(jǐ )的(🐔)爱情和(📶)爱人。

这(💿)(zhè )个名(🚤)称(chēng )古(🌦)怪的小(❓)说出自(😊)(zì )艺术(🚓)家(😷)、作(⛩)家(🈂)莲妮(♌)(nī(⛷) )·夏(🎩)普(🌇)(pǔ )顿（(🔌)Leanne Shapton）之手(🕳)，这部(bù(👳) )虚构作(📖)(zuò )品是(💓)以一份(🌾)拍卖(mài )目录的形式出现，夏普顿(dùn )表示她的灵感来(lái )自(zì )于一些(xiē )房地产宣(xuān )传册里(lǐ )的描述方式，因为(wéi )它们通(tōng )常提示着上任主(zhǔ )人的隐晦生(🚇)活。