连长

工(👢)(gōng )厂(🈯)停工(🍰)，张(zhā(🎞)ng )金生(💂)无处(🎂)可去(🔈)，他(tā(🤮) )独自一人在(zài )工厂徘徊，一段古(gǔ )怪(😝)的声(🍸)(shēng )音(🤠)把(bǎ(👚) )他引(🅿)入另(🐦)一个(🤥)世界(🐅)(jiè )，那(♋)里(lǐ(💔) )时而(🛰)(ér )漫(🏼)天大(🥇)雪，时(🍑)而寂(jì )静荒凉(liáng )，他看到了(le )不同的自己。

李天(tiān )洋和郑月两(liǎng )位年轻“小炮儿”在执行神秘(mì )任务时失败，惹怒(nù )老大闫(yán )老板(bǎn )，开始了亡命天涯(yá(💌) )的故(🌭)事(shì(🈸) )。在(zà(🅰)i )找寻(🕥)货(huò(🥫) )物的(👎)过程(㊗)中(zhō(🛂)ng )，郑月(🔍)(yuè )偶(🥁)遇发小并(bìng )帮发小找回了失踪(zōng )多时的(💛)男朋(😋)(péng )友(🐚)。同时(🔒)，郑月(❌)发(fā(🔩) )现了(🎳)货(huò(🛂) )物的(🈳)(de )秘密(🈳)并明(♿)白如(🏻)果不(❤)(bú )逃(🏐)离这(zhè )个地(dì )方就会丧失性命。屋漏偏(piān )逢连夜雨，在郑月准备离开的(de )时候，兄弟(dì )和发小的被闫老板(bǎn )抓，郑月不(bú )得不与闫老板正面(miàn )冲突，随(🔮)之(zhī(🏎) )而来(🙃)的却(⏳)是越(⚾)来越(🕔)(yuè )多(🔭)的麻(😲)(má )烦(🗣)。

堀越(🤽)耕(gē(💻)ng )平创作的漫(màn )画《我(wǒ )的英雄学院(yuàn )》将于(😭)6月2日(⚫)发售(🍛)附(fù(🏐) )带OAD动(🐼)画的(🙃)漫(mà(🔹)n )画单(😝)行本(📗)第14卷(😰)。新(xī(㊙)n )作OAD定(🌬)名(mí(🖐)ng )为《Training of the Dead 死(🔐)亡训练 》，该动(dòng )画由原(yuán )作者(zhě )堀越耕平亲自负责(zé )故事原(yuán )案故事。男(nán )主角绿谷出久等雄(xióng )英学院的学(xué )生们与一所名叫勇(yǒng )学园的英雄(🖨)(xióng )科(🍗)学生(🐂)们一(🏒)起训(🏴)练(lià(😤)n )，但参(🐽)(cān )与(🕡)训(xù(📀)n )练的(🖊)学生(♌)突然大量(liàng )丧尸化(huà )，没(méi )有受到(dào )影响(🍰)的人(🎏)将(jiā(🐋)ng )如何(🌤)生(shē(🚥)ng )存？(🚹)

网红(🔊)乐(lè(💃) )悠悠(🚸)因在(💩)网上(🔽)直播(🍵)(bō )厨(🎾)艺走(🍎)红。这天乐悠悠应粉丝(sī )邀请，准备(bèi )到粉丝家里进行互(hù )动直播(bō )。赴(fù )约的半途，偶遇霸(bà )道总裁(cái )任天澜，两(liǎng )人发生龃龉，互放(fàng )狠话，表示(shì(🧕) )这辈(🗨)子都(🕍)不想(⛱)再见(👧)(jiàn )到(🌲)对方(📻)。等(dě(🔳)ng )乐悠(🈸)悠到(👺)了约(👯)定地(dì )点，才(cái )发现(xiàn )任天澜是这家主人(🖥)(rén )！ 乐(😖)悠(yō(⭐)u )悠为(🤚)了给(🎶)母(mǔ(🤫) )亲治(🌹)病筹(😕)集(jí(📝) )资金(♟)不(bú(♿) )得不(🐼)继续(🖇)在(zài )任天澜家直播，而(ér )这更让任天(tiān )澜坚信乐悠悠是借(jiè )故接近(jìn )自己(jǐ )，对自己另有所图(tú )。为了(le )赶走(zǒu )乐悠悠任天澜变着(zhe )花样情(qíng )虐乐悠悠。在(🚻)此过(😾)程中(👵)任天(👭)澜(lá(🐾)n )慢慢(🚔)喜欢(🔅)上(shà(🔞)ng )乐悠(🏦)悠。 乐(😖)悠悠(🔒)在(zài )直播过程中(zhōng )无意泄露了任天澜(lá(🕒)n )的隐(😻)私(sī(😉) )，让(rà(🕋)ng )任天(♊)澜大(🦈)发雷(⛔)霆。任(🍁)天澜(📶)(lán )警(🌚)告乐(🔀)悠悠(🍨)(yōu )，以(🛶)后不准(zhǔn )她再直(zhí )播，乐悠悠(yōu )坚决不同意，两人(rén )再次发生矛(máo )盾，而此时，乐悠(yōu )悠经纪(jì )人携(xié )粉丝捐助的善款潜(qián )逃，又(yòu )使任(rèn )天澜更加误会(💞)乐悠(🧦)(yōu )悠(🏿)…

Set in contemporary New York City, Cacaya is the story of a young Brazilian woman, who ends her tumultuous relationship with an American man, and then discovers she is carrying his child. The couple's struggle to interact during the pregnancy, and to deal with the situation, increases the tension between them. The film interweaves this modern narrative with indigenous Amazon rainforest folklore and ancient Greek mythology of the Amazons, using the framework of German dramatist Heinrich von Kleist's 1808 tragedy Penthesilea.

A group of kids travel to an abandoned island for a party only to discover that they are being stalked and hunted down by a dangerous predator.